I make pots. They are hand built, individual pieces, usually slabbed and coiled, using a red clay from Staffordshire, masked with a white slip. After the first firing I paint on the surface with oxide pigments and underglaze colours, using imagery based on the special places of my childhood, remembered, observed, and still longed for. I was fortunate to be brought up in the North of Scotland and West Wales, two landscapes of great lyrical beauty, which have been a dominant influence, particularly the wild and windswept coastline of South Pembrokeshire. I try to combine form with image, in such a way that they meet as equal partners, in an object with domestic and poetic overtones.